Reggae en Español
Panamanian artists took Jamaican dancehall riddims into Spanish before “reggaeton” had a name. West Indian migration, Panama City sound culture and voices such as El General and Nando Boom made this a crucial Caribbean bridge.
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Reggae en español grew in Panama through a country already deeply connected to the English-speaking Caribbean by West Indian migration, especially around the Canal. By the 1980s and early 1990s, Panamanian performers were voicing Jamaican dancehall riddims in Spanish and circulating the results locally and through New York. El General and Nando Boom became two of the most visible names. Their recordings later traveled strongly into Puerto Rico, where DJs and MCs folded them together with hip-hop and local underground culture. Panama is therefore essential to reggaeton history without needing the misleading claim that Panama alone invented the later genre.
Where the history is argued
- “Reggae en español,” “plena” and later “reggaeton” were used differently across communities and decades; avoid retroactively calling every early Panamanian recording reggaeton.
How they stand with the others
Traveled with the peoplePanama’s reggae en español grew from Jamaican dancehall circulating through a country with deep West Indian Caribbean ties.
Came togetherIt is a major parent current in reggaeton, alongside Puerto Rican underground hip-hop and Jamaican dancehall.
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Last checked 1 September 2026