R&B
The American records Kingston sounds fought to own: New Orleans shuffle, jump blues and rhythm and blues poured from radios and imported 78s, then Jamaican musicians bent that language toward ska.
GO DEEPER
In the 1940s and 1950s, American rhythm and blues reached Jamaica through radio broadcasts and imported records. Sound-system operators competed over scarce titles and built dances around the records their audiences wanted most. When American R&B itself changed and the supply of the older shuffle records tightened, Jamaican producers increasingly hired local musicians to make records for their own market. That did not produce a copy. Jamaican players changed the accents, brought in local rhythmic knowledge and jazz-trained horn craft, and the emerging ska beat became its own music. R&B is therefore a major incoming current in the formation of ska, not the entire explanation for Jamaican popular music.
Where the history is argued
- No one American artist or single R&B record “created” ska; Jamaican sources describe a field of imported records, local musicians and changing dance culture.
How they stand with the others
Came togetherNorth American R&B was a major ingredient in ska, especially through records and radio, but Jamaican musicians transformed it rather than reproducing it.
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Last checked 1 September 2026